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The Spectre of Sound

Music in Film and Television

The Spectre of Sound
The Spectre of Sound The Spectre of Sound
Szerző
London
'K. J. Donnelly: The Spectre of Sound ' összes példány
Kiadó: British Film Institute
Kiadás helye: London
Kiadás éve:
Kötés típusa: Varrott papírkötés
Oldalszám: 192 oldal
Sorozatcím:
Kötetszám:
Nyelv: Angol  
Méret: 23 cm x 17 cm
ISBN: 1-84457-026-6
Megjegyzés: Fekete-fehér képekkel.
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The Spectre of Sound: Music in Film and Television
This book is a major new study - dealing witli notions of film music as a device that desires to control its audience, using that most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music looking not only at traditional orchestral film music, but also examining film music's colonisation of television; he discusses pop music in relation to film and the historical dimensions to the ability to possess audiences that have so many important cultural and aesthetic effects.
The Spectre o/5oi//7(/challenges the dominant but limited conception of film music by looking at its use in television and its influence in the world of pop music, and extends the range of analysis beyond a traditional focus on 'valued' film music, either from 'name' composers or from the 'golden era' of Classical Hollywood.
Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television... Tovább

Fülszöveg


The Spectre of Sound: Music in Film and Television
This book is a major new study - dealing witli notions of film music as a device that desires to control its audience, using that most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music looking not only at traditional orchestral film music, but also examining film music's colonisation of television; he discusses pop music in relation to film and the historical dimensions to the ability to possess audiences that have so many important cultural and aesthetic effects.
The Spectre o/5oi//7(/challenges the dominant but limited conception of film music by looking at its use in television and its influence in the world of pop music, and extends the range of analysis beyond a traditional focus on 'valued' film music, either from 'name' composers or from the 'golden era' of Classical Hollywood.
Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television drama and the soundtrack without a film - this is an original study which expands the range of writing on the subject.
Kevin Donnelly is Lecturer in the Department of Theatre, Film and Television at the University of Wales, Aberystwyth. He is the author of Pop Music in British Cinema: A Chronicle (BFI, 2001) and editor of Film Music: Critical Approaches. Vissza

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K. J. Donnelly

K. J. Donnelly műveinek az Antikvarium.hu-n kapható vagy előjegyezhető listáját itt tekintheti meg: K. J. Donnelly könyvek, művek
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