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The Pelican History of Music 2.

Renaissance and Baroque

The Pelican History of Music 2.
The Pelican History of Music 2. The Pelican History of Music 2. The Pelican History of Music 2.
Szerkesztő
Harmondsworth
'Alec Robertson: The Pelican History of Music 2. ' összes példány
Kiadó: Penguin Books Ltd
Kiadás helye: Harmondsworth
Kiadás éve:
Kötés típusa: Ragasztott papírkötés
Oldalszám: 335 oldal
Sorozatcím: Pelican Original
Kötetszám:
Nyelv: Angol  
Méret: 18 cm x 11 cm
ISBN:
Megjegyzés: Fekete-fehér illusztrációkkal, kottarészletekkel.
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published by Penguin Books
This second volume of the Pelican History of Music is particularly concerned with the social and artistic environment during the two centuries associated with Renaissance and Baroque music. By the mid fifteenth century the Church's monopoly of influence was gone; alongside its rites a wealth of courtly and civil occasions demanded music and opened the way to every kind of experiment.
Europe knew no musical frontiers and it is_ possible to trace a whole pattern of influence and counter-influence:.the motet, the chanson and early opera are much alike in their regional forms and adaptations.
Towards the end of the period the musician, like the artist, has become emancipated. Composers such as Monteverdi, Vivaldi, Purcell and the Bachs are as individually distinct as the' works that make them famous.
The cover design by Patrick McCreeth shows a mid-seventeenth-century Venetian guitar in the collection of the Horniman Museum, London (photo Nelson... Tovább

Fülszöveg


published by Penguin Books
This second volume of the Pelican History of Music is particularly concerned with the social and artistic environment during the two centuries associated with Renaissance and Baroque music. By the mid fifteenth century the Church's monopoly of influence was gone; alongside its rites a wealth of courtly and civil occasions demanded music and opened the way to every kind of experiment.
Europe knew no musical frontiers and it is_ possible to trace a whole pattern of influence and counter-influence:.the motet, the chanson and early opera are much alike in their regional forms and adaptations.
Towards the end of the period the musician, like the artist, has become emancipated. Composers such as Monteverdi, Vivaldi, Purcell and the Bachs are as individually distinct as the' works that make them famous.
The cover design by Patrick McCreeth shows a mid-seventeenth-century Venetian guitar in the collection of the Horniman Museum, London (photo Nelson Christmas)

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The Pelican History of Music 2. The Pelican History of Music 2. The Pelican History of Music 2. The Pelican History of Music 2. The Pelican History of Music 2.

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