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The music documentary

Acid rock to electropop

Szerző
Szerkesztő
London
Kiadó: Routledge
Kiadás helye: London
Kiadás éve:
Kötés típusa: Ragasztott papírkötés
Oldalszám: 244 oldal
Sorozatcím: Routledge Music and Screen Media
Kötetszám:
Nyelv: Angol  
Méret: 23 cm x 15 cm
ISBN: 978-0-415-52802-3
Megjegyzés: Fekete-fehér képekkel. További szerzők a tartalomjegyzékben.
Értesítőt kérek a kiadóról
Értesítőt kérek a sorozatról

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A beállítást mentettük,
naponta értesítjük a beérkező friss
kiadványokról

Előszó

Tovább

Előszó


Vissza

Fülszöveg


MUSIC/FILM AND MEDIA STUDIES
The Music Documentary offers a wide range of approaches, across key moments in the history of popular music, in order to define this prominent genre of filmmaking. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artifact in documenting stars and icons, and musicians and their times—particularly for those figures whose fame was achieved posthumously. In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights into their production and promotion, close studies of documentaries relating to favorite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.
Contributors
Chris Ballengee Andrew Burke . Oliver Carter Sam Coley K. J. Donnelly Mark Duffett Robert Edgar Kirsty Fairclough-lsaacs Michael Goddard Ailsa Grant Ferguson Jon Hackett
Benjamin Halligan... Tovább

Fülszöveg


MUSIC/FILM AND MEDIA STUDIES
The Music Documentary offers a wide range of approaches, across key moments in the history of popular music, in order to define this prominent genre of filmmaking. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artifact in documenting stars and icons, and musicians and their times—particularly for those figures whose fame was achieved posthumously. In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights into their production and promotion, close studies of documentaries relating to favorite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.
Contributors
Chris Ballengee Andrew Burke . Oliver Carter Sam Coley K. J. Donnelly Mark Duffett Robert Edgar Kirsty Fairclough-lsaacs Michael Goddard Ailsa Grant Ferguson Jon Hackett
Benjamin Halligan ,
Erich Hertz
Julie Lobaizo Wright
Paul Long
Sunll Manghani
Keith McDonald
Jeffrey Roessner
Michael Saffle
David Sanjek
Tim Wall
Emile Wennekes
Robert Edgar Is Head of the MA programs in Film and Documentary at York St John University.
Kirsty Fairclough-lsaacs is Lecturer In Media and Performance in the School of Media, Music and Performance at the University of Salford.
Benjamin Halligan is the Director of Postgraduate Research Studies for the College of Arts and Social Sciences, University of Salford. Publications include Michael Reeves (2003) and Reverberations: The Philosophy, Aesthetics and Politics of Noise (2012).
The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games, and new media. These edited essay collections are written for an Interdisciplinary audience of students and scholars of music, film, and media studies. Vissza

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