The emerging film composer

Fülszöveg

FILM/MUSli .


Why do filmmakers like the music they like? What makes them comfortable or uncomfortable when it comes time to put music in their film? How can you make them want to like your cues? How do you "court the muse" on a deadline? How much are you worth, and can you live on that? How can you increase your efficiency in the studio or at your writing desk? How can you get your next job while working on tiie current one? This book speaks to these and similar issues.
"If young, would-be composers read nothing else before they hop the freight train for L.A., they should beforced to read this." Bruce Broughton, Academy Award nominee and ten-time Emmy Award wnner
"I'm readinglhc Emerging Film Composer in the mixing theater I can't get over how pertinent Richard's points are to everything I've just been through—again!
Christopher Dedrick, President, Guild of Canadian Film Composers
"So well expressed—so beautifully laid out. and so eloquently written. This is every thing... Tovább

Fülszöveg

FILM/MUSli .


Why do filmmakers like the music they like? What makes them comfortable or uncomfortable when it comes time to put music in their film? How can you make them want to like your cues? How do you "court the muse" on a deadline? How much are you worth, and can you live on that? How can you increase your efficiency in the studio or at your writing desk? How can you get your next job while working on tiie current one? This book speaks to these and similar issues.
"If young, would-be composers read nothing else before they hop the freight train for L.A., they should beforced to read this." Bruce Broughton, Academy Award nominee and ten-time Emmy Award wnner
"I'm readinglhc Emerging Film Composer in the mixing theater I can't get over how pertinent Richard's points are to everything I've just been through—again!
Christopher Dedrick, President, Guild of Canadian Film Composers
"So well expressed—so beautifully laid out. and so eloquently written. This is every thing I have not been able to express so explicitly about what we go through as screen composers " Art Phillips, President, The Australian Guild of Screen Composers
"This book is unlike any other on the subject of film scoring, and long overdue."
Brian King, Director, Scoring for Motion Pictures and Television Program, Flora L. Thornton School of Music, University of Southern California
ISBN-13: 17a-a-blS-13bS3-3 ISBN-ID: ?-blS-13ba3-a

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