The Dalí Theatre-Museum in Figueres

Fülszöveg

This catalogue provides us with a visit to the Dali Theatre-Museum. Its authors, Antoni Pitxot and Montse Aguer, have written many articles about this centre and are highly knowledgeable on all things Dali. Montse Aguer Teixidor, Director of the Centre of Dalinian Studies of the Gala-Salvador Dali Foundation, has dedicated her professional life to studying Dali in general and the Museum in particular. Antoni Pitxot, who, as well as being the Director, provides us with his testimony, his knowledge and his experience attained from having shared with Salvador Dali both the creation of the museum and his friendship.
The author of the photographs, Jordi Puig, a photographer who has produced many pieces of work about the Emporda county and its people, once again delves into the world of Dali in order to bring us that much closer to it.
To understand the concept that Salvador Dali had of the museum, we propose an exceptional route of the DallTheatre-Museum of Figueres: how it has... Tovább

Fülszöveg

This catalogue provides us with a visit to the Dali Theatre-Museum. Its authors, Antoni Pitxot and Montse Aguer, have written many articles about this centre and are highly knowledgeable on all things Dali. Montse Aguer Teixidor, Director of the Centre of Dalinian Studies of the Gala-Salvador Dali Foundation, has dedicated her professional life to studying Dali in general and the Museum in particular. Antoni Pitxot, who, as well as being the Director, provides us with his testimony, his knowledge and his experience attained from having shared with Salvador Dali both the creation of the museum and his friendship.
The author of the photographs, Jordi Puig, a photographer who has produced many pieces of work about the Emporda county and its people, once again delves into the world of Dali in order to bring us that much closer to it.
To understand the concept that Salvador Dali had of the museum, we propose an exceptional route of the DallTheatre-Museum of Figueres: how it has evolved, transformed and above all what it meant to the artist, since it was his last great creation.
It is a first-hand guide in terms of knowledge and the aim is for visitors to truly experience the Museum and be able to enter into the personal and chaotic, imaginative and labyrinthine Dalinian world, full of suggestiveness. A universe that requires a distinct, special way of looking by the visitor and a yearning for knowledge. Dali invites us to enter his world and we must do so free of any kind of prejudice and let ourselves be seduced by the artist and his creative work. Vissza