Fülszöveg
'A virtuoso performance Deliriously readable, highly
polished a testament to its author's Nabokovian love of
language and games, and his utter ease in delineating the
seamy underside of modern life Mr Amis has created a
quicksilver narrative that grabs the reader and
refuses to let go'
MICHIKO KAKUTANI, NEW YORK TIMES
'Exhilarating hugely enjoyable to read Night Train, like everything Martin
Amis has written, shines with disciplined linguistic exuberance in every
syllable You would be mad not to read this book at the first opportunity'
SEBASTIAN FAULKS, HARPERS & QUEEN
'This is the world of cops and demons, mean streets, dark alleys,
a world that comes out of Amis's engaging truce with popular
culture, the world of SEVEN and Elmore Lfeonard, James Ellroy,
Ed McBain and CHINATOWN'
STEVE GRANT, TIME OUT
'Night Train pushes the boundaries of /70/ralmost to the edge of darkness'
ELIZABETH GLEICK, TIME
1 Night Train is both delicate and bruising - a long drawn-out...
Tovább
Fülszöveg
'A virtuoso performance Deliriously readable, highly
polished a testament to its author's Nabokovian love of
language and games, and his utter ease in delineating the
seamy underside of modern life Mr Amis has created a
quicksilver narrative that grabs the reader and
refuses to let go'
MICHIKO KAKUTANI, NEW YORK TIMES
'Exhilarating hugely enjoyable to read Night Train, like everything Martin
Amis has written, shines with disciplined linguistic exuberance in every
syllable You would be mad not to read this book at the first opportunity'
SEBASTIAN FAULKS, HARPERS & QUEEN
'This is the world of cops and demons, mean streets, dark alleys,
a world that comes out of Amis's engaging truce with popular
culture, the world of SEVEN and Elmore Lfeonard, James Ellroy,
Ed McBain and CHINATOWN'
STEVE GRANT, TIME OUT
'Night Train pushes the boundaries of /70/ralmost to the edge of darkness'
ELIZABETH GLEICK, TIME
1 Night Train is both delicate and bruising - a long drawn-out blue note. The
book hangs around in the mind like smoke in a jazz club'
ALLISON PEARSON, TELEGRAPH MAGAZINE
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