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New York Inside Out

New York Inside Out
New York Inside Out New York Inside Out New York Inside Out New York Inside Out
Szerkesztő
Fotózta
Chicago
'William S. Burroughs: New York Inside Out ' összes példány
Kiadó: Skyline Press
Kiadás helye: Chicago
Kiadás éve:
Kötés típusa: Fűzött kemény papírkötés
Oldalszám: 88 oldal
Sorozatcím:
Kötetszám:
Nyelv: Angol  
Méret: 22 cm x 27 cm
ISBN: 0-19-540603-6
Megjegyzés: Színes fotókkal.
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EWYORK INSIDE OUT
Photography by
Robert Walker
InlToduchon by
Williams. Burroughs
Intimate, fascinating, always varied, highly original - here is a sidewalk portrait of New York in its glamour, pretension, toughness, grandeur and fun. Here is a sense of place expressed through a personal vision, in brilliant colors that occur where least expected, and with the spark of juxtapositions that become apparent only when caught by the camera's shutter in time.
ROBERT WALKER'S photographs are vibrant, like sculptures, as though his shapes were weights in delicate balance. They are rich, like paintings, as though his film were a palette knife that sliced through a moment on a New York street and laid out the colors like fruit upon a breakfast table in the sun. His subject is the cavalcade, the human comedy. His method is the shuffle of intersections between the inner reality of latent expectation and the outer reality of haphazard experience.
WILLIAM S. BURROUGHS reflects on the use... Tovább

Fülszöveg


EWYORK INSIDE OUT
Photography by
Robert Walker
InlToduchon by
Williams. Burroughs
Intimate, fascinating, always varied, highly original - here is a sidewalk portrait of New York in its glamour, pretension, toughness, grandeur and fun. Here is a sense of place expressed through a personal vision, in brilliant colors that occur where least expected, and with the spark of juxtapositions that become apparent only when caught by the camera's shutter in time.
ROBERT WALKER'S photographs are vibrant, like sculptures, as though his shapes were weights in delicate balance. They are rich, like paintings, as though his film were a palette knife that sliced through a moment on a New York street and laid out the colors like fruit upon a breakfast table in the sun. His subject is the cavalcade, the human comedy. His method is the shuffle of intersections between the inner reality of latent expectation and the outer reality of haphazard experience.
WILLIAM S. BURROUGHS reflects on the use of similar approaches in writing and on
(continued back flap) Vissza

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