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Spanish Masters from Zurbarán to Goya

Spanish Masters from Zurbarán to Goya
Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya
Szerző
Fordító
Grafikus
Lektor
Budapest
'Marianna Haraszti-Takács: Spanish Masters from Zurbarán to Goya ' összes példány
Kiadó: Corvina Kiadó
Kiadás helye: Budapest
Kiadás éve:
Kötés típusa: Vászon
Oldalszám: 124 oldal
Sorozatcím:
Kötetszám:
Nyelv: Angol  
Méret: 27 cm x 23 cm
ISBN: 963-13-1727-7
Megjegyzés: 3. kiadás. További grafikusok a könyvben. Színes reprodukciókkal.
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A.
The Budapest Museum of Fine Arts isjusdy famous for its collection of Spanish paintings, the finest of which—painted between the middle ofthe seventeenth and the first quarter ofthe nineteenth century—are illustrated in two volumes by Marianna Haraszti-Takács. In this volume she considers the development from Zurbarán to Goya, from the works—monumental or devotional—created by a member ofthe religious order to those of the critical and rebellious master, whose experiments foreshadowed the development of modem painting. The inflexible atmosphere ofthe Spanish court, the puppet-like representatives of the royal family and high-ranking courtiers may be seen in pictures by Velázquez, Mazo and Carreno; but it is hearty country folk, simple craftsmen and even beggars and tramps who are depicted in Murillo's or Villavicendo's works. The paintings of Goya, the last great master included in this volume, reflects as it were a synthesis of these two trends, in both of which religious... Tovább

Fülszöveg


A.
The Budapest Museum of Fine Arts isjusdy famous for its collection of Spanish paintings, the finest of which—painted between the middle ofthe seventeenth and the first quarter ofthe nineteenth century—are illustrated in two volumes by Marianna Haraszti-Takács. In this volume she considers the development from Zurbarán to Goya, from the works—monumental or devotional—created by a member ofthe religious order to those of the critical and rebellious master, whose experiments foreshadowed the development of modem painting. The inflexible atmosphere ofthe Spanish court, the puppet-like representatives of the royal family and high-ranking courtiers may be seen in pictures by Velázquez, Mazo and Carreno; but it is hearty country folk, simple craftsmen and even beggars and tramps who are depicted in Murillo's or Villavicendo's works. The paintings of Goya, the last great master included in this volume, reflects as it were a synthesis of these two trends, in both of which religious themes predominate.
The style developed by Velázquez, also that of MuriUo, artists of universal significance, exerted a decisive influence both on their contemporaries and on later followers. The Iberian Peninsula had for long years been cut off from the rest of Europe, but from the seventeenth century onwards Vissza

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Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya Spanish Masters from Zurbarán to Goya

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