Elmer Bernstein's Film Music Notebook

Fülszöveg

vailable for the first time in twenty-five years, The Film Music Society I presents the complete collection of Elmer Bernstein's Film Music Notebook, an invaluable quarterly journal on the subject of motion picture music that was published by Bernstein himself between 1974 and 1978.
Film Music Notebook was available only to members of Elmer Bernstein's Film Music Collection, who received a limited-edition re-recording of a classic film score with each issue. Every journal features an original interview with a notable film composer, conducted by Bernstein himself, in addition to score analyses, biographical sketches, articles on historical and contemporary film music topics, and Bernstein's Collection News.
Here, gathered into an indispensable research and reference source, are interviews of such respected composers as Hugo Friedhofer, Jerry Goldsmith, Henry Mancini, and David Raksin. Scores by Bernard Herrmann, Dinjitri Tiomkin, Franz Waxman, and others are analyzed, and... Tovább

Fülszöveg

vailable for the first time in twenty-five years, The Film Music Society I presents the complete collection of Elmer Bernstein's Film Music Notebook, an invaluable quarterly journal on the subject of motion picture music that was published by Bernstein himself between 1974 and 1978.
Film Music Notebook was available only to members of Elmer Bernstein's Film Music Collection, who received a limited-edition re-recording of a classic film score with each issue. Every journal features an original interview with a notable film composer, conducted by Bernstein himself, in addition to score analyses, biographical sketches, articles on historical and contemporary film music topics, and Bernstein's Collection News.
Here, gathered into an indispensable research and reference source, are interviews of such respected composers as Hugo Friedhofer, Jerry Goldsmith, Henry Mancini, and David Raksin. Scores by Bernard Herrmann, Dinjitri Tiomkin, Franz Waxman, and others are analyzed, and numerous artiiies focus on the music of John Barry, Jerry Fielding, and John Williams. This time capsule of 20th-century motion picture music history i» a must for libraries, historians, collectors, and enthusiasts.
"With the inaugural publication of Film Music Notebook, my dear friend Elmer Bernstein's commitment to documenting the history of film music proved invaluable, even then. Those of us who were 'there' can feel both relief and satisfaction that this reissue by The Film Music Society will help preserve our history for generations to come."
—David Raksin,
composer of Laura, Forever Amber, and The Bad and the Beautiful Vissza